Seulgi Lee

born in 1972 in Seoul, Korea
lives and works in Bagnolet, France


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Seulgi Lee, KUNDARI araignée, tubular structure with 5 circles, 150 x 124 x 151 cm, 2019
collaboration with Brice Oziel, Montreuil-sur-Ille

production: La Criée centre for contemporary art, Rennes

photo: Benoît Mauras
Seulgi Lee © Adagp, Paris 2019

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Seulgi Lee, LE PLUS TÔT C’EST DEUX JOURS MIEUX (SOONER’S TWO DAYS BETTER), La Criée centre for contemporary art, Rennes, 2019

photo: Simon Boudvin
Seulgi Lee © Adagp, Paris 2019

2019_4_seulgi_lee_dsc_6660_3840

Seulgi Lee, KUNDARI araignée, tubular structure with 5 circles, 150 x 124 x 151 cm, 2019
collaboration with Brice Oziel, Montreuil-sur-Ille

production: La Criée centre for contemporary art, Rennes

photo: Benoît Mauras
Seulgi Lee © Adagp, Paris 2019

KUNDARI araignée, 2019

tubular structure with 5 circles, 150 x 124 x 151 cm, 2019
collaboration with Brice Oziel, Montreuil-sur-Ille


2019_5_7-seulgi-trope-4330-s_960

Seulgi Lee, U : 유언비어 (流言蜚語). Yu-eon-bi-eo. U : Mots coulent comme de l’eau, rampent comme un insecte. = Rumeur., Jinju silk, coton, 155 x 195 x 1 cm, 2019
collaboration with Seungyeon Cho from Tongyeong, Korea

production: La Criée centre for contemporary art, Rennes – courtesy Gallery Hyundai, Séoul – photo Simon Boudvin
Seulgi Lee © Adagp, Paris, 2019

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Seulgi Lee, U : 유언비어 (流言蜚語). Yu-eon-bi-eo. U : Mots coulent comme de l’eau, rampent comme un insecte. = Rumeur., Jinju silk, coton, 155 x 195 x 1 cm, 2019
collaboration with Seungyeon Cho from Tongyeong, Korea

production: La Criée centre for contemporary art, Rennes – courtesy Gallery Hyundai, Séoul – photo Simon Boudvin
Seulgi Lee © Adagp, Paris, 2019

U : 유언비어 (流言蜚語). Yu-eon-bi-eo. U : Mots coulent comme de l’eau, rampent comme un insecte. = Rumeur., 2019

Jinju silk, coton, 155 x 195 x 1 cm, 2019
collaboration with Seungyeon Cho from Tongyeong, Korea


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Seulgi Lee, ÎLE AUX FEMMES, film, 15 min, 2019

collaboration with Anne-Laure Vincent and Clémence Mimault

image and montage: Pierre-Philippe Toufektchan
production: La Criée centre for contemporary art, Rennes
Seulgi Lee © Adagp Paris, 2019

2019_4_seulgi_lee_dsc_6596_3840

Seulgi Lee, LE PLUS TÔT C’EST DEUX JOURS MIEUX (SOONER’S TWO DAYS BETTER), La Criée centre for contemporary art, Rennes, 2019

photo: Benoît Mauras
Seulgi Lee © Adagp, Paris 2019

seulgi-ILEAUXFEMMES-004

Seulgi Lee, ÎLE AUX FEMMES, film, 15 min, 2019

collaboration with Anne-Laure Vincent and Clémence Mimault

image and montage: Pierre-Philippe Toufektchan
production: La Criée centre for contemporary art, Rennes
Seulgi Lee © Adagp Paris, 2019

ÎLE AUX FEMMES (WOMEN'S ISLAND), 2019

film, 16 min
collaboration with Anne-Laure Vincent and Clémence Mimault


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Exhibition

SOONER’S TWO DAYS BETTER

Seulgi Lee

from 21 September to 17 November 2019