Julien Bismuth, Alphabet de pas, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Michel Blazy, Pull Over, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
Michel Blazy © Adagp, Paris 2018
photo: Ariane Michel
Florence Doléac, La pêche aux cailloux, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
Florence Doléac © Adagp, Paris 2018
photo: Ariane Michel
Ellie Ga, Miroir Ardent, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Ellie Ga, The deck of Tara, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Dominique Ghesquière, Pierres roulées, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Louise Hervé & Chloé Maillet, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
Louise Hervé & Chloé Maillet © Adagp, Paris 2018
photo: Ariane Michel
Jacques Julien, Le Keeque (after H.C. Westermann), exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Natalia Lopez, Une nouvelle à écouter, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Ariane Michel, À la renverse, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Bruno Peinado, Au bord du précipice, je sors mon rouge à lèvres et je procède à une ultime retouche de maquillage, un fauteuil pour Claire Guezengar, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
Bruno Peinado © Adagp, Paris 2018
photo: Ariane Michel
Steven Pennaneac’h, RECORDABLE, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Abraham Poincheval, La Vigie, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Hugues Reip, Wawers, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
Hugues Reip © Adagp, Paris 2018
photo: Ariane Michel
Pascal Rivet, Pied-à-terre, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Benjamin Rivière, Ligne d’eau, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Jean-Luc Verna, Baguette magique, exhibition view The Rhetoric of Tides – Vol. 1, Cap Sizun, 2015
photo: Ariane Michel
Exhibition
The Rhetoric of Tides – Vol. 1
a project by Ariane Michel
Virginie Barré, Julien Bismuth, Michel Blazy, Florence Doléac, Ellie Ga, Dominique Ghesquière, Jacques Julien, Martin Le Chevallier, Natalia Lopez, Dominique Mahut, Louise Hervé & Chloé Maillet, Bruno Peinado, Steven Pennaneac’h, Abraham Poincheval, Hugues Reip, Pascal Rivet, Benjamin Rivière, Éric Thomas, Gurvan Tymen and Jean-Luc Verna
from 5 July to 30 September 2015
Cap Sizun, Finistère
opening on Sunday 5 July 2017 at 4 pm
Ariane Michel, associate artist for the Breaking the Waves season (2015–2016) is presenting the project La Rhétorique des marées – Vol.1: a group exhibition and film shoot at Esquibien, Cap Sizun, in Finistère.
Twenty artists showed new works – sculptures and performances – along the coast between Lervily Point and the beach at Trez Goarem: art among the waves, rocks and local flora and fauna.
The works were situated along the shoreline between the equinoctial low tide mark and the first line of building plots. Thus they are literally exposed to the forces of nature: depending on the medium, form and location chosen by each artist, each work was subject to the site’s physical and symbolic influence. For the duration of the exhibition this part of the coast was enhanced by signs evocative of narratives, and traces of stories. The sun and wind and the ebb and flow of the tides gradually wore them away, setting up time warps as the works were gradually absorbed into their setting.
Specifically designed for this uniquely spectacular shoreline – it combines the features of an utterly untamed world with harmonious incorporation of the marks of human activity – The Rhetoric of Tides – Vol. 1 directly challenged the notion of a boundary between Nature and Nurture: are artists the same as other animals? Can making art be considered a “Natural” act? These were among the questions put to the stroller on the shore.
Ariane Michel, the project’s initiator and curator, is an artist and filmmaker, and lives in Esquibien. In an oeuvre whose constant concern is man’s place in nature, the central role of the animal, vegetal and mineral kingdoms radically upsets our perceptual scales and rankings. This exhibition was also the basis for a film in which people are “seen from the point of view of the landscape”.
This first segment of La Rhétorique des marées will be continued in the spring of 2016, with a solo exhibition by Ariane Michel at La Criée.
curator
production
- Ariane Michel
- the production company À Perte de Vue
- La Criée centre for contemporary art, Rennes
partnerships
- Brittany Region
- Frac (Brittany Region Contemporary Art Collection)
- National Centre for the Visual Arts
- Fonds de Dotation agnès b.
- Brittany Region Cultural Affairs Office – Ministry of Culture and Communication
- Municipality of Esquibien
thanks to
The works by Martin Le Chavallier and Bruno Peinado were produced with the backing of L’Art et la Bannière in Audierne; the work by Virginie Barré with the backing of Scubaland in Brest; and the work by Benjamin Rivière with the support of Le Drezen in Treffiagat.
This exhibition could not have taken place without the assistance of the Conservatoire du Littoral in Saint Brieuc, the DDTM in Quimper, the Cap-Sizun Intermunicipal Grouping and the Municipality of Esquibien.