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David Horvitz, Untitled, 2018

courtesy the artiste and ChertLüdde, Berlin
visual identity © Lieux communs

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David Horvitz, La forme d’une vague à l’intérieur d’une vague (The shape of a wave inside of a wave), exhibition view, 2019

production: La Criée centre for contemporary art, Rennes
courtesy the artist and ChertLüdde, Berlin
photo: Benoît Mauras

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David Horvitz, La forme d’une vague à l’intérieur d’une vague (The shape of a wave inside of a wave), exhibition view, 2019

production: La Criée centre for contemporary art, Rennes
courtesy the artist and ChertLüdde, Berlin
photo: Benoît Mauras

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David Horvitz, La forme d’une vague à l’intérieur d’une vague (The shape of a wave inside of a wave), exhibition view, 2019

production: La Criée centre for contemporary art, Rennes
courtesy the artist and ChertLüdde, Berlin
photo: Benoît Mauras

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David Horvitz, A Map of Bretagne from a Wednesday, 2019
vase and flowers

production: La Criée centre for contemporary art, Rennes and ChertLüdde, Berlin
courtesy the artist and ChertLüdde, Berlin
photo: Benoît Mauras

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David Horvitz, My Grandmother’s Plumeria, 2017 – ongoing
plumeria cuttings, letters

courtesy the artist
photo: Benoît Mauras

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David Horvitz, toi, nuage, pluie, rivière, source, mer, océan, lac, neige, rosée, glace, buée, onde, 2018
thirteen stamps, four thousand sheets of paper

courtesy the artist and Yvon Lambert Libraire & Éditeur
photo: Benoît Mauras

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David Horvitz, Nostalgia (18 January 2019 – 10 March 2019 at La Criée centre for contemporary art, Rennes, France), 2018 – ongoing
unique digital projection with 16710 digital photographs, 16710 minutes

production: La Criée centre for contemporary art, Rennes
courtesy the artist and ChertLüdde, Berlin

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David Horvitz, Propositions pour horloges (Proposals for Clocks), 2016 – ongoing
posters in French and Breton displayed across the city

production: La Criée centre for contemporary art, Rennes
courtesy the artist, ChertLüdde, Berlin and Yvon Lambert Libraire & Éditeur
photo: Benoît Mauras

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David Horvitz, Propositions pour horloges (Proposals for Clocks), 2016 – ongoing
posters in French and Breton displayedacross the city

production: La Criée centre for contemporary art, Rennes
courtesy the artist, ChertLüdde, Berlin and Yvon Lambert Libraire & Éditeur
photo: Benoît Mauras

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David Horvitz, performance, near Saint-Malo, 15 January 2019

production: La Criée centre for contemporary art, Rennes
photo: Benoît Mauras

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David Horvitz, performance, near Saint-Malo, 15 January 2019

production: La Criée centre for contemporary art, Rennes
photo: Benoît Mauras

Exhibition

The Shape of a Wave Inside of a Wave

David Horvitz


For his first institutional solo show in France, Californian artist David Horvitz is looking to our perceptions of time and space in terms of variation and interchange. His work makes use of a range of media either material (photographs, books, performances, sculptures) or immaterial (interventions on the Net, narratives, rumours). Heir to both the Romantics and the Conceptualists, he practises an art of play, surprise, rhizomatics and circulation.

At La Criée Horvitz has taken an immaterial aspect of Breton culture as the basis for the exhibition’s key work: Lullaby for a Landscape is an installation comprising 40 brass chimes hanging from the roof structure and providing the 40 notes of the traditional melody Luskellerez Vor (Lullaby of the Sea). The chimes will be played twice by professional musicians as part of performances; the rest of the time it will be up to individual visitors to originate and orchestrate interpretations of their own.

Visitors play a core part for Horvitz, who enjoys establishing a give-and-take relationship that involves them in his work process. To take one example, you, cloud, rain, river, spring, lake, snow, dew, ice, mist, wave invites the spectator to make free use of the ink stamps and sheets of paper on a table and to take the resultant compositions home with them. Likewise with Nostalgia (18 January 2018 – 10 March 2019 at La Criée centre for contemporary art, Rennes, France), a slide show drawing on the artist’s photo archive: a computer program screens each image and then deletes it definitively, leaving us the only ones to have seen it at that moment – and to have seen it vanish forever.

Springing from a simple, everyday nomadic practice, the art of David Horvitz is one of transposition: Map of Brittany from a Wednesday is a bouquet of the same kinds of flowers from different, carefully chosen spots in Brittany, but all gathered the same day. The posters for Proposals for Clocks are scattered through the city, sneakily catching the eye of passers-by. Here time and space intersect, generating a geopoetics in which the artist’s subjectivity imbues our imaginary realms.

David Horvitz brings joy and simplicity to living and working, to shaping ideas as much as forms, to blurring the boundaries between art and life and time and space. He makes it seem self-evident. And a way out, too.

The title of David Horvitz’s exhibition is taken from a poemby David Antin.



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Produced works

David Horvitz

  • Berceuse pour un paysage, 2019
  • Propositions pour horloges, 2016 - ongoing
  • A Map of Bretagne from a Wednesday, 2019
  • My Grandmother's Plumeria, 2018 – ongoing
  • toi, nuage, pluie, rivière, source, mer, océan, lac, neige, rosée, glace, buée, onde, 2018
  • Nostalgia (18 January 2019 – 10 March 2019 at La Criée centre for contemporary art, Rennes, France), 2018 – ongoing
  • Whenever I take a shower I always wonder when the water was a cloud, 2016
  • When the Ocean Sounds, 2017
  • Sans titre (Bretagne), 2017

David Horvitz, performance on 15 January 2019

lecture by David Horvitz

  • Tuesday 15 January 2019, 6pm
  • EESAB – site de Rennes

meeting with David Horvitz

  • Saturday 19 January 2019, 3pm
  • La Criée centre for contemporary art
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Green flash

Soñando !

Ensemble 0
Sylvain Chauveau, Stéphane Garin and Joël Merah

Sunday 20 January 2019

3 pm

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Green flash

Watering a Bellflower

JFDR, David Horvitz

Thursday 24 January 2019

7 pm

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Extra Territories

The Great learning

Felicia Atkinson, David Horvitz, Barbara Sirieix

Moncontour, Côtes-d'Armor, May 2017