Jota Castro

Jota Castro, Torino Junknews, exhibition view…pour Amiel, La Criée centre for contemporary art, Rennes, 2004

production: La Criée centre for contemporary art, Rennes

photo: Marc Domage

Jota Castro, Torino Junknews, exhibition view…pour Amiel, La Criée centre for contemporary art, Rennes, 2004

production: La Criée centre for contemporary art, Rennes

photo: Benoît Mauras

Jota Castro, Torino Junknews, exhibition view…pour Amiel, La Criée centre for contemporary art, Rennes, 2004

production: La Criée centre for contemporary art, Rennes

photo: Benoît Mauras

Torino Junknews, 2004

50 twisted blue and red neon, 50 transparent garbage bags, newspapers, transformers, variable dimensions

courtesy Massimo Minini gallery, Brescia

Jota Castro, Torino Junknews, exhibition view…pour Amiel, La Criée centre for contemporary art, Rennes, 2004

production: La Criée centre for contemporary art, Rennes

photo: Marc Domage

Jota Castro, Torino Junknews, exhibition view…pour Amiel, La Criée centre for contemporary art, Rennes, 2004

production: La Criée centre for contemporary art, Rennes

photo: Benoît Mauras

100 wooden frames, 100 copies in black and white, broken glass, 59,4 x 42 cm each frame

courtesy Massimo Minini gallery, Brescia

Jota Castro, Motherfuckers never die, vue de l’exposition …pour Amiel, La Criée centre for contemporary art, Rennes, 2004

production : La Criée centre for contemporary art, Rennes

photo : Marc Domage

Jota Castro, Motherfuckers never die, La Criée centre for contemporary art, Rennes, 2004

production: La Criée centre for contemporary art, Rennes

photo: Benoît Mauras

3 light boxes, 180 x 120 cm each box

courtesy Massimo Minini gallery, Brescia

Exhibition

Jota Castro

from 4 November to 24 December 2004

born in 1965 in Yurimaguas, Peru
lives and works in Brussels, Belgium

Monograph

2005